Summary

The global vinyl market has experienced a resurgence, particularly from 2020 onwards, becoming a significant segment in the music industry's physical sales. In 2022, the market was valued at approximately 1.7 billion euros and is projected to reach 2.8 billion euros by 2028, expanding at an average annual growth rate of 8.7%. This growth is highlighted by the significant increase in vinyl sales from 24.1 million units in 2020 to 41.6 million in 2022, marking a 470% rise with the younger demographic under 35 accounting for 59% of vinyl buyers. Online platforms have contributed to this surge, with online vinyl sales on Discogs, for example, jumping 40.75% in 2020, leading to 11.9 million vinyl discs sold on the platform alone. Despite the digital shift, this growing vinyl demand has fostered a renewed interest in physical music formats, evidenced by the solid performance of vinyl in contrast to the overall decline of physical media sales.

Revitalization of the French Vinyl Market: A Blend of Nostalgia and New Trends

The French vinyl market is a symbolic testament to the enduring allure of physical music formats amidst the digital age's predominance. After facing a period of decline due to the advent of digital media, vinyl records have made a remarkable comeback, signaling a resurgence of interest in this classic medium. The period of 2022 witnessed a significant increase in vinyl sales, with volumes soaring from between 0.5 and 1 million to between 5 and 6 million – an impressive growth of approximately 670%. In monetary terms, this revival is just as striking: sales jumped from around €10 million to nearly €90 million, a surge nearing 800%. This renewed enthusiasm for vinyl is not confined to France alone; it is echoed globally with the market value estimated to be around €1.7 billion in 2022, and expected to rise at an average annual growth rate of 8.7%, potentially reaching around €2.8 billion by 2028.

A closer look at the demographic of vinyl enthusiasts reveals that younger audiences, especially those under 35, appear to be driving this movement. Remarkably, nearly 60% of vinyl buyers are from this age group, revealing a trend that transcends mere nostalgia and reflects a vintage appeal that resonates with the youth.

In France, specialized superstores, such as FNAC and Cultura, have been key players in the distribution of vinyl records. These stores have accounted for a significant share of the sales, while independent record stores, though holding a smaller market share, remain important for the niche vinyl market.

With regard to online sales, which are also on the rise, platforms like Discogs have become essential for vinyl transactions on the web, catering to a burgeoning community of collectors and music enthusiasts. The cultural shift towards vinyl also implies a greater engagement with music; those who prefer physical media like vinyl tend to immerse themselves in the music world more deeply than the average listener. They are likely to spend more hours listening to music daily, use a variety of listening mediums, and are more inclined to be musically talented themselves, with a higher proportion of them playing an instrument or singing.

On the manufacturing front, the insatiable demand for vinyl has revitalized production, with leading European manufacturers such as Germany's Optimal Media, the Czech Republic's GZ Media, and particularly France's MPO (Moulages Plastiques de l'Ouest) .

The Vinyl Vanguard: Key Market Players Shaping the Resurgence of the Record

As the vinyl market surges with a renewed zeal for the classic medium, several pivotal players stand at the forefront of this revival. From record companies driving productions to retail giants ensuring widespread availability, to the very manufacturers breathing life back into the physical form of music, these entities form the backbone of the vinyl resurgence.

Record Companies Catalyzing Vinyl's Return

Universal Music, Warner Music France, and Sony Music Entertainment have become linchpins in the vinyl renaissance. These titans of the music industry have not only adapted their rich catalogs for vinyl production but have also engaged in targeted marketing campaigns to encourage consumers to partake in the vinyl experience. Universal Music's "The Vinyl Project" exemplifies such a campaign, aiming to bring rare albums back to the turntable through crowd-funded initiatives. Similarly, Sony, having halted its vinyl operations in 1989, made a strategic return to the vinyl scene as the format gained increased attention from collectors and audiophiles alike.

Retail Empires and the Vinyl Terrain

When it comes to retail, the FNAC Darty Group stands out as a behemoth in the cultural products sector, providing a diverse array of vinyl records alongside the latest technology and gadgets. Boulanger and Cultura also contribute to the ecosystem, ensuring that vinyl enthusiasts have access to both the mainstream and niche segments of the market. These retailers play a critical role not just in sales but also in the promotion of music through vinyl.

Behind the Scenes:

The Vinyl Crafters On the production side, MPO (Moulages Plastiques de l'Ouest) in France commands attention as a significant player. Once relegated to the past, the company has witnessed a dramatic increase in production, reflecting the passionate demand for vinyl records. International manufacturers like GZ Media from the Czech Republic and Optimal Media from Germany demonstrate the global span of vinyl production, with facilities across Europe catering to a market that extends well beyond their borders.

SACEM:

Guardians of Creators' Rights Integral to the vinyl market's infrastructure is the **Société des auteurs, compositeurs et éditeurs de musique (SACEM)**. This organization ensures that the rights of authors, composers, and publishers are protected in this evolving industry. SACEM's meticulous distribution keys for performance and reproduction rights maintain a balance within the market, safeguarding the financial interests

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  • Number of pages : 30 pages
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  • Last update : 11/12/2023
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Summary and extracts

1 Market overview

1.1 Definition and scope of the study

The first vinyl records were marketed in 1948. Long sidelined by the advent of CDs, the vinyl market is now growing again.

Also known as a microsillon record, "galette" or black record, vinyl is a sound recording medium. It consists of two engraved sides. Each side has a microscopic "spiral" groove running through it, beginning on the outside and ending towards the center of the record. Vinyl records are generally black, but colored (green, red, white, blue, etc.) or transparent records are also available. Some even have a picture incorporated on one or both sides: these are called picture-discs. They are designed to be played on a turntable or an electrophone.

More than just a fad, the vinyl revival is gaining momentum, as evidenced by the proliferation of fairs, blogs and collectors' forums in France. The vinyl market is now enabling physical music distributors to compete with the major online streaming platforms.

Vinyl now appeals to a younger clientele, attracted by vintage. In 2022, 59% of vinyl buyers were under 35.

On a global scale, the market is also enjoying a second wind: estimated at 1.7 billion euros in 2022, it is set to grow at a rate of 8.7% a year until 2028.

This study focuses mainly on the market for 33 and 45 rpm records.

1.2 The global vinyl market is growing again

The global vinyl market has been enjoying a renaissance in recent years. Indeed, vinyl, a historically important product, is making a strong comeback, despite the rise of digital music-listening media. Traditionally, these records were used as the main medium for commercial music production, but today they are gaining in popularity with ...

1.3 France's vinyl market rises from the ashes

The French vinyl market is experiencing the same boom as the world's other major recorded music markets. Indeed, after years of decline due to the emergence of digital media, vinyl is enjoying a second lease of life.

Vinyl sales in France France, **** - **** SNEP

The vinyl market experienced significant growth between ...

2 Demand analysis

2.1 Profile of vinyl fans

Age of listeners

"In the last ** months, have you listened to music via vinyl? " France, ****, in % Source: ****

Vinyl seems to be more popular with young people: **% of under-**s and **-**s have listened to music at least once on vinyl in the last ** months. This is the case for ...

2.2 The habits of vinyl music listeners

Generally speaking, the profile of physical music listeners does not differ greatly from that of French music listeners as a whole. Nevertheless, certain trends can be observed:

Among those who listen to music on physical media at least once a month (***)[***]:

- **% of respondents currently play an instrument or sing, compared ...

2.3 Vinyl demand drives physical sales of recorded music

While physical sales are struggling, vinyl sales have been booming in recent years.

Trends in physical and vinyl sales France, **** - ****, in % and in millions of euros Source: ****

Physical sales have been declining steadily since **** (***)

3 Market structure

3.1 Structure of the recorded music market

3.2 The vinyl production revival

The upturn in demand for vinyl records has led to a revival in the production of "black wafers", in France as in most of the major music markets (***).in Europe, only a few major players share the cake: Germany's Optimal Media, the Czech Republic's GZ Media, a number of factories in ...

3.3 The role of record companies in the vinyl market

Although streaming is still largely in the lead, the revival of physical music is well underway: vinyl is stabilizing and now accounts for **% of physical sales [***]. This is forcing the major labels to reinvest in vinyl and update their catalogs.

In ****, the Universal group decided to reposition itself on the vinyl ...

3.4 Vinyl distribution, between independent distributors and the rise of online platforms

Looking at the physical market for recorded music as a whole, we can see that record stores have a small market share. In fact, as can be seen from the graph below, specialized superstores (***) remain the main distributors, with **.*% of sales, while independent distributors account for just *.*%, a figure that is ...

3.5 The development of online sales

Online vinyl distribution is also beginning to take off. The rapid success of the Discogs platform illustrates the development of this new practice. Launched in ****, the platform lists electronic music and vinyl record productions. In ****, just over * million productions were catalogued.

Since ****, the site has also had an online marketplace, called ...

4 Offer analysis

4.1 Types of vinyl

the ** rpm (***)

Discs spinning at ** rpm were generally ** cm in diameter, sometimes ** cm, and contained * to * minutes of recording time, or one or two songs per side. ** rpm records replaced the cylinder. Their manufacture ceased in the ****s, and today they are sought after by collectors for their historic recordings. Today, ...

4.2 The vinyl manufacturing process

Cutting

The first stage is the production of the first disc, which will serve as an imprint. This is done in a mastering studio equipped with an engraver. This machine is used to engravecutter"a disc made of a special material calledlacquer. This is an aluminum disc coated with a nitrocellulose ...

4.3 Vinyl album sales rankings

The vinyl format appeals to listeners with a wide range of tastes, from hip-hop to rock and pop music. Here are the top ** best-selling vinyl albums of ****:

Source: ****

5 Regulations

5.1 SACEM, at the heart of the regulatory framework

the Société des auteurs, compositeurs et éditeurs de musique(***) is a French copyright collective founded in ****. For each work, the amount due to the beneficiaries is determined according to different distribution keys.

PERFORMANCE RIGHTS

For radio, television, concerts, balls and any public performance of works, the distribution key is statutory ...

6 Positioning the players

6.1 Positioning the players

  • Warner Music Group
  • Boulanger
  • Universal Music
  • Sony Music Entertainment France
  • Moulages Plastiques de l'Ouest MPO
  • Cultura
  • GZ Media
  • Optimal Media
  • Believe
  • Discogs
  • Balades Sonores
  • Superfly Records
  • Media industrie
  • Vinyl Me, Please
  • Diggers Factory
  • Music On Vinyl
  • Bigwax Records
  • Toolbox Records
  • Betino's Record Shop
  • dunk!pressing

List of charts

  • Trends in the size of the global vinyl market
  • Trends in vinyl sales
  • Share of music listeners who listened to music on vinyl in the last 12 months, by age
  • Percentage of listeners who have listened to music on vinyl in the last 12 months, by socio-professional category
  • Device most often used to listen to music
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Latest news

Belgian dunk!pressing seduces music lovers with vinyl records - 28/08/2023
  • The dunk!pressing factory is located in Zottegem, between Ghent and Brussels, Belgium.
  • The company occupies an area of 2,000 m² and employs 14 people.
  • Vinyl records are produced in runs of 500 and up to 10,000.
  • Daily production capacity is between 1,500 and 2,000 records.
  • 50% of the company's capital is held by the Belgian industrial group SDG.
  • The company's own production accounts for 10-15% of the total, the remainder being manufactured on behalf of other labels.
Plaxtil and Cultura join forces to recycle old schoolbags - 20/08/2023
  • Plaxtil was created in 2020.
  • The company works with brands such as Lacoste and Kiabi.
  • It is collecting non-reusable schoolbags from 110 Cultura stores until September 3.
  • Plaxtil employs around twenty people.
  • It achieved sales of 850,000 euros and earnings of over 200,000 euros.
  • The company is preparing to raise 3 million euros to finance the creation of small recycling plants.
Music: Believe continues to weave its web - 04/08/2023
  • Believe sales for January to June period: 415 million euros (+17.5%)
  • Believe's growth rate: almost twice as fast as Universal's (+8.7%).
  • Believe supports 1.3 million artists directly or via labels it distributes on platforms
  • Value of Believe today: 1 billion euros
  • Believe invests in data analysis and digital marketing.
Media Industry surfs vinyl's comeback - 30/06/2023
  • Media Industry was founded in 1986.
  • Four new machines were installed in February, increasing vinyl record production capacity from one to three million units.
  • The group has 80 employees, 66 of whom are based in the Vosges.
  • The company, which had sales of 6 million euros, was bought by François-Xavier Juzdzewski, who has increased sales to 15 million euros by 2022.
  • Vinyl records account for 45% of Media Industry's business, which also publishes CDs, DVDs and Blu-rays. 60% of the company's production is sold in supermarkets, mainly Fnac, while 40% is sold directly to private individuals.
Discogs company figures - 13/06/2023
  • Number of community contributors: 602,000
  • Number of music releases in the Discogs database: 15 million
  • Number of artists in the Discogs database: 8 million
  • Number of record labels in Discogs database: 1.7 million
  • Sales on the Discogs market in 2021, by format: CDs: 3.8 million (21% of sales) Vinyls: 13.1 million (74% of sales)
Bigwax Records - 13/06/2023
  • Nearly 100 m2
  • Two floors
  • Over 20,000 discs

Companies quoted in this study

This study contains a complete overview of the companies in the market, with the latest figures and news for each company. :

Warner Music Group
Boulanger
Universal Music
Sony Music Entertainment France
Moulages Plastiques de l'Ouest MPO
Cultura
GZ Media
Optimal Media
Believe
Discogs
Balades Sonores
Superfly Records

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