Summary

The musical instruments market experienced significant shifts starting from 2020. The global market saw a steady CAGR of 2.1%, with sales reaching $9.82 billion and the Asia-Pacific region dominating at 51.2% market share. While the French market showed promise with a notable presence in the high-end segment, it was challenged in 2020 due to the COVID-19 pandemic, leading to a shift towards online sales with an increase of 30-40% for retailers like Michenaud & Co. Lockdowns and curfews resulted in a contracting domestic market, which shrank by €161.5 million to sales of €483.2 million. The French musical instruments trade was in deficit, with 2020 imports at 460.2 million euros outstripping exports valued at 243.2 million euros. The industry faced regulatory challenges, particularly concerning raw materials like ivory, and needed to adapt and innovate to enhance its export strategy for renowned French craftsmanship.

Demand Trends in the French Musical Instruments Market

The French musical instruments market has exhibited a broad spectrum of demand, influenced by cultural appreciation for music, craftsmanship, and an increasing interest in both learning and playing music. Despite a challenging year due to the 2020 health crisis, the market is on a path of recovery, leveraging online sales and adapting to new consumer behaviors. In the realm of consumer interest in musical activities, music holds a treasured spot, with approximately one-third of the French population stating they could not do without it, surpassing other cultural activities like reading and cinema. This demonstrates a societal affinity towards music that has the potential to translate into demand for musical instruments.

As for self-reported learning and experience with musical instruments, between 35 and 40 percent of individuals claim to have learned to play an instrument at some point in their lives, although only a small fraction of them continue to play occasionally or frequently. Intriguingly, about half of those who have never learned express regret, suggesting a potential untapped market of aspiring musicians among the adult population.

When dissecting the types of instruments learned, keyboards (notably pianos), flutes, and guitars emerge as popular choices. Given that approximately 55 percent of the younger demographic (aged between 18 and 24) currently play or have previously played a musical instrument, there is a clear indication of sustained demand within this age group, which could be a target for market growth strategies.

The market composition reveals a dominant share of sales in plucked string instruments, with a noteworthy portion of these sales comprising second-hand transactions, reflecting a degree of price sensitivity among consumers. The mid-range segment, particularly for wind and stringed instruments, has a robust presence. This suggests that while entry-level instruments have broad appeal, there is a significant market segment that prioritizes quality and may opt for moderately priced options.

Rental and repair services also contribute to the market, with rentals constituting around 22 percent of all transactions in the purchasing, rental, and repair ecosystem. Drum-percussion and keyboard-accordion instruments frequently experience shorter rental periods, indicating a market for trial or short-term usage.

Finally, the distribution network for musical instruments predominantly revolves around retail stores, with a substantial shift toward online platforms that have witnessed a surge, particularly during the pandemic-imposed confinements. Consequently, as France's balance of trade in musical instruments remains in deficit, strategies that integrate domestic craftsmanship with competitive online offerings could help address this gap and stimulate domestic consumption. 

Prominent Artisans and Multinationals in the French Musical Instruments Landscape

The French musical instruments market is a tapestry of both storied craftsmanship and multinational presence, breathing life into the global and domestic musical scenes. Within this diverse and intricate market, several players have established themselves as frontrunners, known for their excellence, innovation, and contribution to the musical fabric of France and beyond.

  • Buffet Crampon stands out as a beacon of artisanal excellence and heritage. Originating in France, this company has been crafting woodwind instruments since its inception in 1825. It embodies the French tradition of producing top-end quality, focusing on clarinets and other woodwind instruments that resonate with impeccable sound and quality. Buffet Crampon's commitment to maintaining high standards of craftsmanship has earned it an international reputation and a sizeable share in the global market.
  • Another key player is Selmer, a name that has become almost synonymous with saxophones. With its roots planted deep in French history, Selmer has expanded its influence around the world, fostering a connection with both seasoned professionals and budding musicians. Their instruments, particularly their saxophones, represent a blend of technical innovation and musical precision, maintaining a significant presence across global markets.
  • Vandoren is yet another notable contributor, particularly within the realm of woodwind instrument accessories. While it may not manufacture the instruments themselves, Vandoren's reeds, mouthpieces, and other accessories are integral to the performance of clarinetists and saxophonists worldwide. They capture the essence of French attention to detail and functionality, propelling the performance of musicians to new heights. Navigating through the digital age, the French musical instruments market also witnesses the rise of modern players who lean towards the integration of technology and music.
  • Michenaud & Co, for example, has harnessed the power of online retail to weather the storms of the pandemic. While traditional physical stores faced unprecedented challenges during confinements and curfews, Michenaud & Co saw a surge in online sales, showcasing the resilience and adaptability that modern musical instrument businesses must have.

Each of these companies carries its unique tone and influence within the symphony that is the French musical instruments market. They are not just manufacturers or retailers but custodians of a rich cultural legacy that continues to evolve with the changing tides of technology, regulation, and consumer preferences. Together, they cement France's reputation as a bastion of musical excellence, harmonizing tradition with innovation.

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  • Last update : 15/10/2021
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Summary and extracts

1 Market overview

1.1 Definition and scope of study

The musical instruments market is made up of a wide variety of products (around 150), classified into 5 main categories:

  • Percussion instruments ;
  • Strings ;
  • Brass instruments ;
  • Keyboards;
  • Woodwinds.

The diversity of musical instruments is due to the multitude of their characteristics in the search for a sound. In fact, musical sound is characterized by the instrument's timbre, its pitch (more or less low-pitched or high-pitched) and its intensity (more or less loud).

The global market for musical instruments seems to have been growing in recent years. A large part of the musical instrument market is focused on the Asia-Pacific region, which accounts for 51.2% of market share. The players are multinational, with many international players positioning themselves on the world market, such as Buffet Crampon, Yamaha, Fender...

However, certain general trends can be observed in the French musical instrument market. French production remains predominantly artisanal, and tends to focus on the top end of the market. French know-how in this field is internationally recognized. On the other hand, in the mid-range and entry-level segments, French production is not as well developed and is highly vulnerable to imports, generating a structural trade deficit. In 2018, 1.554 million instruments were sold (1.144 new for 0.4 used).

As a result, several challenges have emerged to boost all segments of this market: adapting to regulations, innovating and finding an effective export strategy for the French know-how mentioned above.

In 2020, the health crisis boosted online sales of musical instruments, with players such as Michenaud & Co increasing their online sales by 30 to 40%. on the other hand, stores suffered greatly due to confinements and curfews.

1.2 The world market for musical instruments: a growth market

in the figures given below, we have also taken into account electronic instruments such as electric guitars, synthesizer pianos, etc.

Sales of the global musical instruments market World, **** - ****, in billions of dollars CAGR: +*.* Source: ****

Sales in the global musical instruments market amounted to $*.** billion in ****, with a CAGR (***) of *.*% over ...

1.3 The French musical instruments market is on the rise, despite a complicated 2020

g

The figures in the chart above are an estimate based on the average annual sales figures for NAF code **.**Z - musical instrument manufacturing - and our reference sales figure: *** million euros in ****. This figure takes into account sales of musical instruments, which amounted to *** million euros, as well as ...

1.4 France's balance of trade in musical instruments is in deficit

Sales of international trade in musical instruments between France and foreign countries, by value France, ****, in Source : Uncomtrade Uncometrade code: ** We can see that imports have only increased between **** and ****, since in **** they reached around ***.* million euros, whereas in **** imports were estimated at ***.* million euros. Exports, on the other hand, have ...

1.5 Covid-19 brings musical instrument market to a halt

In ****, CSFI, the French trade association for instrument makers, carried out a survey and obtained *** responses from companies or micro-enterprises in the sector. **.*% of respondents stopped their activity during the first containment period, meaning that these companies saw their sales melt by ** to ***% over the same period.

ZSales index - "Manufacture ...

2 Demand analysis

2.1 The practice of music in France

Which of these activities could you least do without? First? Second? France, ****, in % Source: ****

we can see that in ****, music was the sector that the French couldn't do without since it was the first cited with **% among all the activities proposed. It was followed by reading with **%, then cinema rounded out ...

2.2 Musical instrument sales & consumer profiles

Musical instrument sales in France

Breakdown of the French market by instrument family, by value France, ****, in Source: ****

In ****, *,***,*** musical instruments were sold: plucked string instruments led the way with **% of market share, followed by keyboard-accordion instruments with **%, then wind instruments with **%. Finally, the last category on the French market was ...

2.3 The instrument rental and repair market

The musical instrument rental market

In ****, rental represented ***,*** acts per year, equivalent to **% of all acts of purchase (***), we can estimate that, in value terms, the rental market is much smaller than the instrument sales market. It is probably estimated that it represents less than **% of the new market.

Results for ...

3 Market structure

3.1 Overview of players in the musical instruments market

growth and number of companies in France France, ****-****, in units and as a % of sales Source: ****

We can see that the total number of musical instrument manufacturing companies varies from year to year, sometimes increasing, sometimes decreasing. In ****, there were *** musical instrument manufacturing companies, compared with *** the previous year. In ...

3.2 Musical instrument manufacturers

Geographical distribution of musical instrument manufacturers

Distribution of the number of employees working in the musical instrument production sectorFrance, ****, in number of employees

Source: ****

This map illustrates the geographical distribution of companies corresponding to code **.**Z"Manufacture of musical instruments". The colors vary according to the density of employees in each ...

3.3 The musical instruments market distribution network

Purchasing channel by instrument family, by volume France, ****, as % of total Source: ****

in ****, for most instrument families, instrument purchases are made primarily in a retail store (***). This proportion is much lower for bowed strings, at just **%. Purchases from manufacturers account for between *% and **% of purchases, depending on the family, except for ...

4 Offer analysis

4.1 Prices for musical instruments and accessories

The following two tables show a range of prices for products sold on the musical instrument market. The prices shown for musical instruments are the prices for a complete instrument, and therefore do not take into account the price of each individual part used to make an instrument.

Source: ****

4.2 New innovations in instrument making

The start-up phenomenon has had very little impact on the musical instrument market, with only a handful of companies actually entering the market. However, there are some promising projects for the industry, particularly in the musical instrument manufacturing sector.

*D printing takes a first step in instrument making to offer ...

5 Regulations

5.1 Regulations

The regulation of musical instruments in France is closely linked to that of the rest of the world. These regulations focus mainly on the raw materials used by musical instrument manufacturers.

Ivory

In ****, the Ministry of Ecological Transition published an order banning the trade of ivory on national territory. This material ...

6 Positioning the players

6.1 Segmentation

  • Henri Selmer Paris
  • Desevedavy Pianos
  • Woodbrass
  • Yamaha Music
  • Fender
  • Paul Beuscher
  • Cultura
  • Guitarras Manuel Rodríguez
  • Buffet - Crampon
  • Cavagnolo
  • Gibson Guitar
  • BaraGnouma
  • Korg
  • Meinl
  • Zildjian
  • Sonor
  • Ludwig-Musser (Conn-Selmer Steinway)
  • Pearl Drums
  • Sabian
  • Rigoutat (Buffet Crampon)
  • Marigaux
  • Maugein Accordeons
  • Cadence Accordeons
  • Antoine Courtois (Buffet Crampon Groupe)
  • Besson Instruments (Buffet Crampon Groupe)

List of charts

  • Average annual sales index for musical instrument manufacturing
  • Musical instruments market sales and trends
  • Share of main countries importing French musical instruments, by value
  • Share of main countries exporting musical instruments to France, by value
  • Foreign trade in musical instruments, instrument parts and related accessories between France and foreign countries, by value
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Latest news

Plaxtil and Cultura join forces to recycle old schoolbags - 20/08/2023
  • Plaxtil was created in 2020.
  • The company works with brands such as Lacoste and Kiabi.
  • It is collecting non-reusable schoolbags from 110 Cultura stores until September 3.
  • Plaxtil employs around twenty people.
  • It achieved sales of 850,000 euros and earnings of over 200,000 euros.
  • The company is preparing to raise 3 million euros to finance the creation of small recycling plants.

Companies quoted in this study

This study contains a complete overview of the companies in the market, with the latest figures and news for each company. :

Henri Selmer Paris
Desevedavy Pianos
Woodbrass
Yamaha Music
Fender
Paul Beuscher
Cultura
Guitarras Manuel Rodríguez
Buffet - Crampon
Cavagnolo
Gibson Guitar
BaraGnouma

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