Summary of our market study

The global children's literature market grew steadily, forecast at a CAGR of 1.4% from 2022 to 2027, reaching $12.2 billion in value. Despite a rise in sales during the pandemic, the French children's book market experienced a slowdown in 2021, with a 13% drop in volume and a 9% drop in sales compared to the previous year's significant increase. Personalized storybooks have become a notable trend, with companies like Wonderbly and Bookyboo leading the way. Digitization has had a profound impact, with 40% of young French people having read a digital book, and social media and online platforms are influencing reading choices, with half of young people reading the book after watching its film or series adaptation. Sales channels have evolved, with Amazon and cultural superstores taking over from bookshops. However, bookshops have proved resilient, with a slight increase in their numbers during the pandemic years.

The French market is structured by specialist youth publishers, with leaders such as Hachette Jeunesse and Flammarion Jeunesse, and generalist publishers such as Scrinéo and Seuil. Despite these trends, traditional genres such as science fiction, adventure and detective novels remain popular with young people, while the reading habits of young Frenchais continue to be influenced by screen time, with an average of 3 hours and 14 minutes a week devoted to reading, compared with much more for screens and the Internet. Regulations such as the Lang law and the Darcos law have been implemented to protect book prices and independent sellers.

Analyzing trends in children's readership in France

Looking at the French children's book market, we see a complex, evolving landscape that reconciles both traditional practices and modern changes, all the more so as it rides the waves of global digital transformation. The market's vitality is evident in its considerable list of publishers targeting young people, offering a multitude of genres from dynamic picture books to captivating young adult novels. France's pronounced taste for literature is reflected in its young population, with comics, novels and manga topping the list of preferences. In recent years, the popularity of manga has been particularly pronounced, with the number of readers rising from less than a quarter to almost half of the young population. Comic books have also seen a slight increase in readership. Novels, on the other hand, while retaining a strong presence, saw their hold diminish from over half to a level equivalent to that of manga.

The influence of digital media is palpable, with a significant proportion of young people - around two-fifths - reading digital books. The preferred device for this digital foray? Smartphones, which outperform alternative screens, underlining the interweaving of literature and technology in everyday life. This trend only becomes more pronounced during leisure periods, such as pre-sleep and vacations.

Sales of children's books are impressive, with over 60 million copies sold in one year, representing over 600 million euros for the French economy, even allowing for a recent slowdown after a major peak during the pandemic years. It's interesting to note that French bookshops , numbering over 2,400, are proving resilient in the face of the rise of digital, maintaining their number of establishments and even increasing the number of their employees. French readers continue to support these literary havens of peace, a testament to the country's cultural fabric.

The French government's commitment to promoting access to culture through the Pass Culture, which offers 18-year-olds a generous 300-euro cultural allowance, is palpable and has boosted book sales. Interestingly, the digital domain also steers readers towards physical books, with series and film adaptations prompting half of young people to return to the original text after viewing.

The sector is dotted with specialist and general publishers , some of whom boast sales figures in the hundreds of millions, underlining the vitality and competitive nature of this segment. Despite this prosperity, authors' revenues remain relatively marginal, their margin on the sale price of a book being derisory.

The main players in the French children's book market

The French children's book market is a lively, dynamic arena in which several key publishers and brands stand out, each bringing unique content to the world of children's literature. Their offerings range from the classic to the contemporary, catering to the diverse interests of young readers in France.

  • Gallimard Jeunesse is a titan of children's publishing, known for its prestigious collection of literary works including both timeless classics and modern tales. With iconic series such as J.K. Rowling's "Harry Potter" under their banner, they continue to be a favorite with young readers and parents alike.
  • Talents Hauts stands out for its commitment to literature that challenges traditional gender roles, presenting stories that promote equality and reflect diverse experiences. As a specialist in children's books and educational materials, the company has created a niche market focused on progressive themes.
  • Flammarion Jeunesse, another industry giant, offers a wide range of titles covering all genres of children's books. Its catalog boasts a rich mix of storybooks, educational texts and well-known series that awaken young minds and give them a taste for reading.
  • Hachette Jeunesse remains one of the most influential and present players in the children's literature market. Its portfolio includes a wide variety of titles for children and young adults, ensuring that there is a book for every interest and reading level.
  • Bayard/Milan harmoniously combines entertainment and education, offering young readers books that are both instructive and captivating. Their well-constructed narratives are designed to teach as well as tell stories, making them an essential part of many young learners' collections.
  • Auzou has been acclaimed for its picture books and educational titles aimed at the youngest readers. Their colorful, engaging books are designed to capture the imagination and stimulate learning from an early age.
  • L'École des Loisirs is a distinguished name that consistently delivers quality children's books and has become synonymous with educational excellence and creativity. Its commitment to cultivating a passion for literature makes it a publisher of choice for parents and educators alike.
  • Editis, which offers a wide range of books under different brands, has made a significant contribution to children's literature. The publishing house emphasizes the importance of educating young readers by offering a rich selection of books that cater to different tastes and interests.
  • Fleurus is renowned for its beautifully illustrated books and titles that range from religious content to general narrative.
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Summary and extracts

1 Market overview

1.1 Definition

Children's literature is a genre of literature aimed primarily at children and young adults, generally up to the age of 18. Books for children and young adults are often written with vocabulary and grammatical structure adapted to their age and developmental level, and are often illustrated to help young readers understand the content.

Children's literature can include different genres such as illustrated albums, children's novels, teen novels, comic books, activity books and educational books. Stories can be based on reality or be fantastical, and can deal with themes such as friendship, family, personal growth, adventure, history, science fiction, romance, dystopia and more.

The aim of children's literature is to awaken the imagination and interest of young readers, to offer them moments of pleasure and emotion, and to encourage them to develop their reading skills. It is also a means of teaching important life lessons and encouraging critical thinking in young people.

Worldwide, the children's literature market is expected to grow at a CAGR of 1.4% over the period 2022-2027. In France, the children's book market exploded during the pandemic: +19% between 2020 and 2021. Young French people are still reading as much as ever, even if new trends are emerging with the digitalization of society: books are no longer necessarily physical, and the desire to read is emerging more and more after watching a series or film.

France is home to dozens of publishing houses, providing a varied range of children's books that are renewed every year.

1.2 The global children's book market

According to The Business Research Company, the market for children's and teen books is expected to grow at a CAGR of *.*% over the period ****-****, reaching $**.* billion in **** (***).

sales trends in the children's book market World, ****-****, in billions of dollars

Publishers are increasingly offering personalized storybooks that allow children's names ...

1.3 The national children's book market

According to a Gfk study, more than ** million children's books were sold in France in ****. The children's book segment represents a significant share of the book market, with sales of ***.* million euros in November ****. However, compared to ****, this figure is clearly down, with a **% drop in volume and a *% drop in ...

2 Demand analysis

2.1 What young French people read

Young French people (***). Novels lost the most readers, dropping from **% to **%.

Book genres read by young French people France, ****-****, in Source: ****

It is possible to refine these results by age group. For example, primary school, junior high and high school students read differently. Primary and secondary school pupils prefer comic ...

2.2 Novels remain popular with young French people

Within the "novels" category, science fiction and fantasy books (***) are the most popular among French *-** year-olds. These are also the novel categories with the strongest growth since ****.

Types of novel most read by young French readers France, ****-****, in Source: ****

2.3 Young French people's relationship with reading

There are many reasons why young French people don't read or read less. The digitalization of society plays a major role in the decline in reading time: on average, *-** year-olds read * hours ** minutes a week, but spend * hours ** minutes a day in front of a screen, and * hours ** minutes on ...

3 Market structure

3.1 Where to buy children's books and the culture pass

According to an Ipsos survey entitled "Les jeunes Français et la lecture" (***), most children's books are purchased on the Amazon website or in large cultural stores such as Fnac, Espace Culturel Leclerc or Cultura. Bookshops only come third.

Places where young French people buy books France, ****, in Source: ****

The creation ...

3.2 Digitalization and the Internet's influence on children's literature

More and more young people (***) are influenced in their reading choices by social networks and the Internet more generally. For example: many Youtube influencers will recommend - whether paid or not - educational books, novels etc., which will help the book in question to gain notoriety. What's more, in the age ...

3.3 Bookshops in France

We wanted to study the number of bookshops in France, as well as the number of employees. To do this, we used NAF code **.**Z: Retail sale of books in specialized stores. This code covers bookshops in general, without taking into account Fnac-type stores, for example, or superstores that also sell ...

4 Offer analysis

4.1 The most popular children's books

In ****, the ten most popular children's books were the following:

Source: ****

Note that **% of the books were written by French authors, **% by an American (***) and **% by two British writers.

4.2 Book price breakdown

According to the Librinova articleamong the various players involved in children's books, the bookseller receives **.*% of the book's sale price, more than * times as much as the author (***).

Average breakdown of a book's selling price France, ****, in The average selling price of a book is estimated at ** euros. Source: ****

Authors' share ...

4.3 The trend towards reading on digital media

The digitalization of society has not spared the children's book sector. Many publishers, initially sceptical about the idea of reading on a screen, have now embraced this new market. There are many e-readers on the market (***), and the market is growing rapidly. [***]

The market for e-books and audio books

The children's ...

5 Regulations

5.1 Regulations

Book economics concerns the economic aspects of book production, publishing, distribution and marketing. Players such as authors, publishers, bookshops and private and public libraries interact in a competitive market with sometimes divergent interests. Over the years, new distributors and distribution methods have emerged, leading legislators to adapt the laws governing the ...

6 Positioning the players

6.1 Segmentation of players in the children's book market

  • Gallimard Jeunesse
  • Flammarion Jeunesse
  • Auzou
  • Fleurus Editions
  • Rageot
  • Scrinéo
  • Hachette Jeunesse
  • EDITIONS DU SEUIL

List of charts presented in this market study

  • The market for children's and teenagers' books
  • Publishing market share
  • Publishing houses with more than five children's titles a year
  • Average breakdown of a book's selling price
  • Where young French people buy books
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Latest news

Board games: Hachette acquires Catch Up Games - 05/06/2023
  • Acquisition of Gigamic in 2019
  • Acquisition of Hiboutatillus (creator of Blanc Manger Coco) in 2021
  • Acquisition of La Boîte de Jeu (Au Creux de ta Main, Cerbère...) in 2022
  • Acquisition of a majority stake in French publisher Catch Up Games, founded in 2014
  • 20 games in the Catch Up Games catalog (e.g. Sobek 2 players, Cubirds, The Loop)
  • 8th studio to join Hachette Boardgames thanks to acquisition of Catch Up Games
  • Catch Up Games joins Funnyfox, Studio H, Sorry We Are French, Le Scorpion Masqué, Hiboutatillus, La Boîte de jeu and Gigamic within Hachette Boardgames
Hachette launches metavers, a publishing first - 01/06/2023
  • Hachette is the French leader and number three worldwide in publishing (excluding the professional sector).
  • Hachette to acquire a stake in French start-up PowerZ in summer 2021
  • The launch of PowerZ's educational game project, which aims to become the "Fortnite of education"
  • Around ten Hachette publishing houses, mainly focused on the youth segment, are working or will be working with PowerZ
  • The metaverse developed jointly by Hachette and PowerZ is entitled "Beyond the pages" and is freely accessible.
  • Two works featured in the metaverse are "Panique dans la Mythologie" by Fabien Clavel and "Le Dernier Ours" by Charlotte Bousquet.

Companies quoted in this study

This study contains a complete overview of the companies in the market, with the latest figures and news for each company. :

Gallimard Jeunesse
Flammarion Jeunesse
Auzou
Fleurus Editions
Rageot
Scrinéo
Hachette Jeunesse
EDITIONS DU SEUIL

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